Case Studies

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Potato Head’s first store in Bali puts the workshop on the shop floor

Potato Head has opened the Good Times General Store at Desa Potato Head in Seminyak, Bali, its first permanent store, designed by OMA with Ade Herkarisma. Its five bays run from Indonesian-made goods and Max Lamb’s Wasted collection to a working natural dye studio and a plastic moulding workshop, inside rammed-earth walls of local clay behind an alang-alang thatch facade. The lesson for pop-ups: put the making on the floor and let documented materials tell the story.

Interior of the Good Times General Store with layered rammed-earth walls, chairs displayed on rough stone blocks and a terrazzo floor, with a doorway framing the next room
Inside the Good Times General Store: rammed-earth walls, stone-block displays and terrazzo floors. Photo: Sharon Angelia, via Wallpaper.

In brief. Potato Head has opened the Good Times General Store at Desa Potato Head in Seminyak, Bali, its first permanent store, designed by OMA with Ade Herkarisma. Its five bays run from Indonesian-made goods and Max Lamb’s Wasted collection to a working natural dye studio and a plastic moulding workshop, inside rammed-earth walls of local clay behind an alang-alang thatch facade. The lesson for pop-ups: put the making on the floor and let documented materials tell the story.

Potato Head is a Balinese hospitality brand. At Desa Potato Head in Seminyak it already runs a hotel, a beach club and a nightclub, Klymax Discotheque. Its first permanent store, the Good Times General Store, works differently: designboom reports that it doubles as a craft centre, and two of its five bays are working studios rather than shelves.

OMA, which designed the hotel and the nightclub, designed the store with Ade Herkarisma, Potato Head’s group head of architecture and development. Founder Ronald Akili’s summary, as quoted by designboom: “Retail can be more than a transaction.”

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Materials that carry the brand

designboom and Wallpaper describe a palette drawn from local building traditions and from waste:

  • Facade: alang-alang thatch, a traditional roofing material, used here as an exterior finish.

  • Walls: rammed earth made from local clay. Wallpaper notes smooth and bush-hammered finishes, so the raw earth shows.

  • Floors: terrazzo with recycled bamboo offcuts set into it.

  • Timber: reclaimed wood.

  • Plastic: a wall of shredded HDPE recovered through collectors and upcyclers in Bali and Java.

In Sharon Angelia’s photos, the earth walls are the backdrop to nearly every room, banded in some places and roughly textured in others. Products sit on slabs of rough stone or on thin shelves set between heavy timber posts, and small flecks and rings are set into the pale terrazzo throughout. Outside, thick thatch walls flank a timber-clad entrance. There’s very little signage in the shots.

Entrance to the Good Times General Store under a woven lattice canopy, with thick thatch walls either side, pink columns and a glazed opening showing display units with orange circular niches
The entrance, flanked by thatch walls, with display units with orange circular niches inside. Photo: Sharon Angelia, via Wallpaper.

Making on the shop floor

The five bays run in a line, and designboom frames them as stages in an object’s life. The first three sell: objects by independent makers, books and records; Potato Head’s own Bali-inspired clothing and travel line; and Wasted, Max Lamb’s collection of furniture and homeware made from discarded plastics and other waste.

Three people in rust-coloured outfits hold up freshly dyed yellow and orange cloths around a round terrazzo basin in front of a rammed-earth wall
Dyed cloths held up around a round terrazzo basin fitted with sinks. Photo: Sharon Angelia, via designboom.

The last two make. A natural dye studio pulls pigment from plants and food waste collected around Desa Potato Head, and visitors can try dyeing, painting and pattern-making. Next door, the HDPE wall anchors a workshop for plastic moulding. In one photo, a workroom has sewing machines on timber tables that sit on casters, in front of a wall of clear boxes filled with plastic sorted by colour. Wallpaper adds that lightweight, movable elements let the interior be reconfigured, and designboom says ateliers for weaving, upcycling and sewing are planned for 2027.

Neither article gives the floor area, cost, opening date or builder.

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What a Toronto pop-up can borrow

Brience is a Toronto-based custom fabrication and experiential design studio. Few pop-ups will be built in rammed earth, but a few ideas here carry over to a GTA brief.

A workroom with sewing machines on timber tables on casters, rammed-earth walls and a back wall of clear boxes holding plastic sorted by colour
A workroom with sewing machines on wheeled timber tables and a wall of plastic sorted by colour. Photo: Sharon Angelia, via Wallpaper.
  • Put the making where people can see it. A live station (dyeing, printing, engraving, repair) beside the product lets visitors watch the process instead of reading about it. It needs real infrastructure: water, drainage, ventilation, power and a clear line between visitors and tools.

  • Let one surface carry the story. A panel of shredded plastic or reclaimed timber can tell the story without a sign, as long as you know where the material came from.

  • Build for change. Potato Head plans to add ateliers, and Wallpaper says the fittings are movable. A pop-up that runs for weeks can swap a demo station midway if its fixtures move from day one.

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One caution on claims. If a panel is made from recycled plastic, document the source and say exactly that. One recycled wall doesn’t make a whole build sustainable, and copy that names the material and its source is easier to stand behind than a general green label.

If you’re planning a pop-up where visitors should see something being made, let’s work out the station together.

Sources: designboom, “OMA turns potato head’s bali store into creative workshop for recycled materials and traditional craft” (October 2026); Wallpaper, “Potato Head opens the Good Times General Store by OMA” (October 2026). Photos by Sharon Angelia.

Author: Mo Sani

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